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Name and Surname: Hana
Tillmanova Curriculum
Vitae: Since 1997 she has actively devoted herself to
Renaissance dance, collaborating, as a dancer and
choreographer,
with prominent Czech historical dance ensembles. In June 2014, she
graduated in musicology from the Faculty of Arts of Charles Universtity
Prague, receiving her BA.In 2022, she successfully defended her doctoral thesis, Evangelista Papazzone and his manuscript Tractatus de arte saltandi, and was awarded PhD.
Relevant Bibliography: 1. Maestri di ballare aneb nejvýznamnější italští taneční mistři 16. století z pohledu Cesare Negriho a jeho sbírky Nuove Inventioni di Balli [Maestri di ballare or the most important dance masters of the 16th century through Cesare Nergi's collection Nuove Inventioni di Balli], seminar paper, FF UK, Prague 2013. (for download click here) 2. Taneční mistr z pohledu Cesara Negriho a jeho sbírky Nuove inventioni di balli (1604) [A dance master as seen by Cesare Negri in his work Nuove inventioni di balli (1604)]. In: Clavibus unitis 3 (2014), p. 29-42. 3. Tanec v době rudolfinské [Dance in the Rudolfine period]. In: Harmonie 2015, no. 1, p. 3-4. 4. Dance in the Rudolfine era. In: Czech Music Quarterly, 2015, č. 4, s. 37-40. 5.Prolínání a nejednoznačnost pojmů "renesance" a "baroko" v taneční sféře. In: Sborník Replicon. Soubor vybraných přednášek z ročníků 2013-2016, Praha 2017, s. 35-37. 6.Traktát o tanečním umění. In: Harmonie, 2017, č. 11, s. 36-47. 7. O dvorných způsobech kavalírů rudolfinské doby. In: Clavibus unitis 6 (2017). |
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